The show featured over 30 works that include glass that has been
fused in multiple color layers, then carved, painted and fired in
a kiln as well as glass that has been cast, then carved, painted
and fired. The show was a great success, and over 1000 people viewed
it on opening night. Several major pieces were sold over the course
of the show and afterwards, to prominent collectors and museums.
There have been many articles written about the glasswork and the
show gained worldwide attention. Some of these articles are included
here in this website, under 'articles' on the left navigation bar.

The focus of the glass in the show was gesture, and how emotion
and meaning can be conveyed through simple gestures. Hands are used
as the conveyors of the gestures and most of the finished pieces
are hands in one form or another. Glass is the primary medium because
its transparency or translucence allows you to see what is under
the surface of the "skin". This allows the artist to convey
meaning both through the gesture itself and what she allows you
to see under the skin.
 The pieces in the show are the result of 4 years of experimentation
and pushing the limits of how glass has been used in the past. This
applies both to the painting and firing techniques used by Judy
and Ruth and to the carving techniques employed by Norm to create
the shapes for painting. Judy is well known for expressing her art through projects in a
wide variety of media besides painting. The Dinner
Party, the project that catapulted her to international
recognition in the late 1970's, featured ceramic plates, Later works
included quilts, bronzes and pyrotechnics. She included a large
stained glass installation in her Holocaust Project several years
ago. The installation, Rainbow Shabbat, was 4 1/2 feet high by 16 feet
wide. The glass painting on the installation was created for the
project by well known stained glass artist Dorothy Maddy, prior
to Maddy's passing in 1991. This installation will also be a part
of the show at the Lewallen gallery.
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